808.899283 (Adolescent Literature) - Week Six

Still trying to catch up to the current week (which would be 14, I think?), but we're getting there. Almost half way! I'd like to finish with my YA lit posts before I graduate (May 18th), but that might be pushing it... I'll have a new house as of May 15th! Anywhoo, onto the post!

This week's theme was Historical fiction and war novels and the two books that were on the syllabus were War Horse by Michael Morpurgo and Between Shades of Grey by Ruta Sepetys. As always, links take you out to the Goodreads page for the books.

War Horse isn't just a book. The novel has also been turned into a film (starring Benedict Cumberbatch AND Tom Hiddleston... in one movie) and a play, which I saw in workshop when I was in London at the National Theatre. Both adaptations of the novel are fantastic (HOW can you say no to life size horse puppets... or those two previously mentioned hotties?).

As far as books go, here's my quick delights/disdain points for War Horse.

3 Delights for War Horse

1. It is the best book you will ever read where the narrator is the horse... ever. This is a book about WWI, which was a war that changed the shape of wars to come. Having an animal narrator dampens the horrors of war a bit for a younger reader, while still having emotional turmoil over things like character deaths and keeping track of time/plot.
2. I love that this book is such an easy, quick read. The novel is written for a slightly younger audience and meets the ease of reading requirements nicely.
3. This novel is a great tie-in to a unit on WWI as readers will have the background knowledge they need to understand what is going on. An excellent fiction pair for a social studies classroom. This book is also a "must read" in British schools, which I think is completely understandable.

3 Defects for War Horse

1. The narrator is a horse? It's one of my delights, too, but I was never fond of the animal narrator. I do think it's well done though, but personally, I felt the book was a little "flat" because of it.
2. Readers will need a bit of a background in WWI history to fully appreciate the novel. 
3. I kept having All Quiet on the Western Front flashbacks... if you don't know what I mean or what I'm referencing, you've never experienced the psychological horrors that come with reading All Quiet on the Western Front and then reading about horses... A wikipedia summary should get you up to speed.

Between Shades of Gray was right up my alley of reading choices - it's a WWII novel about the Russian Gulag. Most people know a whole lot about the holocaust, but know nothing about Stalin killing his own people. It's a subject that isn't talked about in Russian history and there are a whole lot of deniers out there, even more so than the holocaust deniers. 

3 Delights for Between Shades of Gray

1. I loved the main character (Lina). She's tough, she's clever, and she's opinionated. She perseveres through some really horrible events and finds a way to make the best of everything. 
2. I loved Lina's mother. She was wonderfully 3-dimensional in the text and it's quite obvious where Lina got her brains. The fact that her mother knew how to build friendships and knew how to play the system the way she did was wonderful to. And her ability to instill in Lina the strength to carry on was fantastic.  
3. I felt that, on a whole, the novel was very well written and it gave you a clear understanding of the time period and the settings that the characters live in. From the trains to the Gulags, to tiny shacks that don't keep out the wind, all was described beautifully.

3 Defects for Between Shades of Gray

1. I really don't know how I felt about the ending. A part of me was pleased... and a part of me felt like it was stereotypical WWII novel fodder.
2. I wish that we knew more about some of the auxiliary characters' backgrounds. I think some of it would have made the novel a little more 'round', but overall, I was pleased.
3. The only real complaint I have about the novel is that sometimes it dragged on a little slower than I would have liked. Some of the exposition and description starts to kill the action happening in the novel, which makes the novel feel longer than it actually is. 

That wraps up week six of YA lit. Hopefully I'll post the next few weeks worth of reviews in the next couple of days and get myself caught up.

808.899283 (Adolescent Literature) - Week Five

Week five's theme for Adolescent Lit. was "Tough Stuff, Risk, and Crisis", which is always a really hard area to read. I chose to read the alternative books from List B this week. List A's books were Speak by Laurie Halse Anderson, which I love, but read in undergrad, and Last Summer of the Dealth Warriors by Francisco X. Stork, which reads like an updated and modified Don Quixote - I mean, it has a character named Pancho for goodness' sake.

The books I chose to read were The Fault in Our Stars, which I love and reviewed earlier this year on its own (click HERE to link to my earlier review), and Boy 21 by Matthew Quick. I had read and reviewed another Matthew Quick book this summer (Forgive Me, Leonard Peacock) and had loved it, so I figured it was time for another novel by the same author.

         

As always before reviewing, a link to the Goodreads page for Boy 21 can be found HERE. Now let me jump into my Delights and Defects for Boy 21  by Matthew Quick.

3 Defects for Boy 21

1. If you don't like sports books at ALL, you're out of luck on this book. Yes, it's definitely about some tough stuff and about friendship, but it's also about basketball. The plot isn't all about basketball, though, and this isn't what I would call a sports book.
2. Some of this book is a little far out there. Would a teenager REALLY accept Boy 21's issues with the ease that Finley does? Irish kids in the hood? The Irish mafia in Belmont? The apparent ability of a kid to get over something SO quickly? Eh, I'll roll with it, but other's might not.
3. Yes, there is swearing. Yes, there is violence. Yes, there is talk about drugs and trafficking. Not the point, reall.

Delights for Boy 21

1. YAY! I finally get a truly happy ending, not a mixed feelings one! And I'll roll with it because I WANTED IT TO HAPPEN. If it hadn't, I don't think I'd feel the same about the book.
2. Seriously, the writing on this book is fantastic, just like Quick's other works that I've read. Quick really has a grasp on what it is to be a teen and think like a teen and act like a teen in a way that other adults writing for teens do not. He also handles really tough issues with humor (black though it might be) and solid emotional writing. Quick makes me believe all the things that are unbelievable and the characters balance each other out so nicely.
3. There are definitely interesting adults in this book that are fully fleshed characters with faults and all. It makes me happy! 

808.899283 (Adolescent Literature) - Week Three

The theme for week three was "Family, health, sex", and the two books that were required reading for the week were Rainbow Rowell's Eleanor & Park and Angela Johnson's The First Part Last. Both books were great picks for the topic of the week. I'll break into my Delights and Defects straight away and just provide links to the books' Goodreads pages so you can read the description for yourself.

3 Delights for Eleanor & Park

1. I love Rainbow Rowell's writing style. There's a nice balance of complexity and simplicity and while it does feel a little fanciful, it isn't any more or less believable than other stories I have read.
2. Parents in this book (especially Park's parents) aren't one dimensional. I LOVE Park's parents and how they treat the relationship between Park and Eleanor. There's something lovely about the family dynamics that really touch me. In the opposite fashion, Eleanor's parents aren't great human beings, but they also aren't completely flat and they play a pretty integral part of the story.
3. I'm thankful for a resolution that isn't resolved. Be prepared for a not quite happy but definitely touching ending to the book. Also realistic in a way, I suppose.

3 Defects for Eleanor & Park

1. The book deals with difficult topics, from abuse to bullying to racial identity to finding your way through difficult times. I personally didn't think it was defective, but I could see why some people may be offended by the book. I DON'T see why people could try and remove it from a library, though. Geez, folks. Censorship just ISN'T cool.
2. So parts of the story are a little "beautified". Normal teenagers do NOT talk or think like that. Not really. I don't think it detracts from the book in a big way, but it's definitely something to think about.
3. The ending. It's one of my delights too, but I wish there was a little more (for my very own, very selfish reasons). I love where Rowell ended the book, but I wouldn't have been upset if there had been more. :)

 3 Delights for The First Part Last

1. This book is a fantastic High-Low - high interest, low reading level. I personally struggle reading some high-lows because the author dumbs down the subject matter in order to achieve the easy readability. This book is definitely one that doesn't do that.
2. Thank you for a book from the teen FATHER'S point-of-view. So many times books about single teen parents are about single mothers. This one is from the male perspective, which I think is very interesting. Johnson does a great job writing from the character's point of view.
3. I can easily understand why this book won the awards it did. Writing is great, subject matter is great, the play with the timeline is interesting, it does a great job discussing a difficult topic, and I feel as if it's fairly authentic as far as urban lit goes.

3 Defects for The First Part Last

1. While it wasn't a problem for me, some of my group members during discussion felt that the book was a little "flat" when it came to character emotions. I could agree with that, but I think its more part of the lower reading level than it is the actually lack of emotion. After reading Eleanor & Park, this book does feel a little flat, but alone, it has the emotion it needs to.
2. I felt like the side story with the mother was dragged out a little too long. It could have been foreshadowed differently or handled a little differently to make the surprise more inpactful.
3. The out-of-order timeline might be difficult for some students (especially students struggling with reading) would have trouble following the story. While the book does use chapter titles like "Then" and "Now", it's sometimes tricky to keep track of where in the timeline a particular chapter falls.

So, we're currently in Week Ten and I have some definite catch up to do on blogging, but we're also purchasing our first home, which is taking up most of my free time! I'll try to get a few more posts up in the next week or two, but no promises. This blog might turn home improvement pretty quickly. Edible Book Festival is coming up next week, as well, so there will be posts about that particular activity as well. AH! So much going on in the next month or two!

808.899283 (Adolescent Literature) - Week Two

Yes, it's week eight of the semester. Yes, I'm JUST posting about week two. I'm unapologetic. Life is crazy, especially now that Oklahoma is officially opened at LaFollette High School.

Week Two's theme for YA Literature for week two was "Identity and Graphic Novels". For this week, we read two graphic novels: March: Book 1 by John Lewis, Andrew Aydin, and Nate Powell and Anya's Ghost by Vera Brosgol.

March: Book One is a non-fiction graphic novel about Congressman John Lewis' life being a young adult during the Civil Rights era and what it was like to be a part of lunch counter sit-ins and non-violent marches. The graphic novel pops back and forth between Congressman Lewis preparing for President Obama's inauguration and what he experienced as a member of the Civil Rights Movement.

3 Delights for March: Book One

1. The illustration in this book is powerful and done in completely black and white. It really tells the story in a unique way that makes the book more powerful than it might have been as a non-graphic novel.

2. The book does a great job showing all sides of the Civil Rights Movement - not just Martin Luther King, Jr., but also some of the other leaders, how students participating in marches and sit-ins practiced terrorizing one another to learn how to not react when white community members might do similar things, and how to protect themselves in the face of violence. It's also a great way to tie history to the present, as John Lewis is a real-live Congressman.

3. March is part of a series focused on the Civil Rights Movement. I'm excited to see the next few graphic novels when they are released.

3 Defects for March: Book One

1. It's a positive-negative, folks. The illustrations really ask readers to practice some higher visual literacy skills - there are some pages that follow typical panel format, but there are others that blow the typical panel format out of the water. This might be harder for first time graphic novel readers to understand and follow.

2. I wonder what color would have done to the illustrations - I think that the "shades of grey" produced by black and white illustration is great, but I think this could have been really powerful in color, too.

3. There are depictions of violence in this book! It's the Civil Rights Era, and there was violence against African-American citizens, so it's only right. I think it's done tastefully, but it is something to consider when recommending this book.

Anya's Ghost is a supernatural fiction graphic novel, focused around Anya, a young Russian emigre student who is having a hard time fitting in at school. When Anya falls down a deep hole, she finds herself faced with a haunted girl's skeleton. The ghost girl, Emily, trapped in the hole for 90 years since her death, makes friends with Anya and travels home with her when Anya is rescued. Emily the ghost intially starts off as a blessing in disguise - she helps Anya with homework, talks about her secret crush with her, and even helps her learn how to dress better and talk to others. But Emily isn't all sweetness, and Anya soon discovers that she's befriended a spirit more sinister than she thought.

3 Delights for Anya's Ghost

1. This graphic novel deals well with the themes of fitting in and discovering your true identity. It's great to see the immigrant experience dealt with in a YA graphic novel.

2. The illustrations are FANTASTIC - they're all done in a blue/violet tinted grayscale, which for the suspense/horror side of this graphic novel works particularly well. It's also interesting to watch the changes that happen to Emily's character throughout the novel. 

3. Easy to follow panels, this is a great "first-timers" graphic novel. It's very easy to follow the layout and the pictures clearly express what is happening in the story.

3 Defects for Anya's Ghost

1. It's PRETTY girly. You might be hard pressed to get a boy to read this graphic novel. I mean, even the black and white images have a purple tint. Male fans of Babymouse! might pick this up, though.

2. The very easy, basic panel structure might get boring for a more advanced graphic novel reader. They'll fly through this one quickly.

3. I don't know if I love how body image is dealt with in this book. It's find overall, but I wonder if it couldn't be better.

808.899283 (Adolescent literature) - Week One

Okay, so we're technically in Week Five right now... I'm just really really behind in updating my blog. Things have been NUTS and they'll continue to be so for the next few weeks, as I have an interview next week Wednesday for an academic librarianship position. SCARY THINGS!

Week one's theme for Adolescent Literature was "Perspectives on Adolescence and Childhood" and we read two novels on this theme: Sarah Dessen's Just Listen and Jacqueline Woodson's Miracle's Boys.

Just Listen is a novel about Annabel, the youngest of three sisters and a model, who has a falling out with her best friend, Sophie, over the summer and returns to the school year to find herself isolated and friendless. In her aloneness, she meets Owen, a loner who is passionate about music and has a habit of telling the truth, the whole truth, and nothing but the truth. Owen strikes up a friendship with Annabel, one based on sharing music and time together. As they grow closer and Annabel becomes more comfortable with their friendship, Annabel tries to find the courage to open up about what really happened on the night when her friendship with Sophie ended.

Miracle's Boys follows the story of Layfaette and his older brothers, Ty'ree and Charlie, and the struggles the boys go through trying to grow up in New York after the death of both of their parents. Ty'ree, the eldest boy, tries to support the family as best he can, and Charlie has just returned home from a correctional facility. The story focuses on Lafayette's coming of age and how the boys need to make choices to be there for one another to overcome their struggles.

I enjoyed both books, which really surprised me, as I'm not normally a realistic fiction fan. Both books just seemed to have an excellent balance of tough stuff, teen angst, and humor. Both books were successful in their messages as well.

More to come about the other books read in class later this week and over the weekend, at least until I catch up.

Fic Gre (Reviewing "The Fault in Our Stars")

It ended in snot and tears my friends, but what a glorious, heart-wrenching piece of work it was. There are now THREE books/series that make me sob uncontrollably as I finish them:  1) The Book Thief by Markus Zusak, 2) His Dark Materials series by Philip Pullman, AND NOW 3) The Fault in Our Stars by John Green. Read the summary at the link to Goodreads. I'm not going summarize it in this blog post.

I immediately knew I had to read this book when the TITLE of the freakin' book was straight outta Shakespeare. I've always loved quoting Shakespeare's Caesar, saying "The fault, dear Brutus, is not in our stars, but in ourselves, that we are underlings", and how perfectly did John Green work the quote into the novel? PERFECTLY. No really. I'm still a little shell shocked by this book 24-hours after completing it, and I do NOT know how to talk out loud about it yet without getting a little teary. Evidence of a good book that really caused a great deal of TRUE catharsis? Walking into the bedroom with the book to get ready for bed after finishing, being kinda weepy, and then having one's husband ask, "Are you okay?" and only having the response of full-out open weeping while saying multiple times "It's so sad and so beautiful" through a plethora of snot and tears while holding the book to one's chest.

My husband pulled me to him and laughed. Apparently great emotional distress over the lives of fictional characters is a laughing matter.

I was so filled with the book and processing it that I didn't sleep well. I ended up reading another book from 10:45 pm to 1:45 am in order to actually calm myself enough emotionally to sleep. Do all books affect me so? Definitely not. But the books that made me do so before (and EVERY time I read them) are listed above. I've had profound endings I love (see the last book of Garth Nix's Keys to the Kingdom series, for example), but only a few books have made me crazy weepy and emotional. John Green's book is now one of them.

Five Defects:

1. The book really isn't as accessible as I'd like it to be. You need to really GET metaphor, GET nuance, GET the super high-brow vocabulary. This book definitely isn't an "any reader" book. It's for the brainy kids (SORRY!). I wish it was more accessible for more readers.
2. Does the vocab and intelligence of this book sometimes (RARELY) interfere with storytelling? Once in a very little while, but it is a point to make. Green balances it well, but there are a few instances where I wish they could have dropped a joke or two.
3. This book WILL offend someone. Just warning you. It's also one of my reasons for LOVING this book, but for some it will be a defect.
4. DON'T read the last 1/3 of this book in public. You risk crying uncontrollably and looking a fool. As a fellow SLIS student mentioned, it was awkward reading the end of this book at the service desk. Don't do it. I was lucky enough to be in the privacy of my own home with only my hubby to witness my breakdown. (I really have been lucky with these books... I always finish them in relative "aloneness" with someone close enough to hug afterwords). Read the first part wherever, leave the last 1/3 for home.
5. Why does it end like that? WHY???? Okay, I know why. It's a cancer book, people. But really? John Green? You're killing me.

Five Delights:

1. This book WILL offend someone. It has cursing, it has sex, it has death, it has 'violence' and destruction of property. It has groping and inappropriate topics. AND IT'S OKAY! Granted, I'm REALLY open minded, but I think that the REALNESS of this book will hit home for teens.
2. It is FILLED with black humor and INTELLIGENT sarcasm. I grew up with an oncology nurse for a mother; I was always taught that death and dying, while tragic and definitely very personal and serious at times, should always be treated with a side of laughter. Yes, we tell jokes at funerals. Yes, we've joked with a family friend passing from cancer about the sheer amount of puke he could heave after a chemo treatment. It's kinda how I grew up and I LOVE that Green fills the novel with this light-hearted fare. Without it, the book would be awful and depressing. With it, it shines.
3. I love how it has a "sex scene" without actually writing a sex scene... and the freakin' Venn diagram afterwords! Thank you for an absolutely GORGEOUS handling of sex in a teen novel, John Green. As an adult reader, I really appreciated it.
4. The metaphor, the poetry, the use of literary devices throughout. The story is great, but the prose is marvelous. I'm so wrapped up in it. It's so full of marvelous quotes and poetry. Simply amazing.
5. I KNEW how it was going to end, but I couldn't stop reading. Green does a fantastic job of writing some of the saddest subject matter EVER - it's a cancer book, people. But it's not the "magically I'm cured" type of cancer book, it's the true nitty gritty cancer book. Thank you for that, especially thank you for a book that an audience LIVING the book will appreciate.

Fic Col (Reviewing "W.A.R.P.: the Reluctant Assassin")

Passing the time when taking a LONG car trip with my husband can be difficult. It's never a problem for me to read while he's driving and listening to music, but my husband is a reader who must have absolute silence to enjoy a book and I'm a driver who must have music or conversation to drive. To make it possible for me to get through the two books I brought with me on vacation, I spent two days of driving reading one of my books out loud to my husband. This book was "W.A.R.P.: the Reluctant Assassin" by Eoin Colfer, the author of the Artemis Fowl series.

And what a FABULOUS read aloud. This book was EVERYTHING I hoped an Eoin Colfer book would be. It was high action, packed with British goodness, and had that quirky, beautiful sarcastic sense of humor through out that the Artemis Fowl series had and that Colfer carried through beautifully into this first book in this series.

The book focuses around two main characters, Riley, a 14-year-old orphan living in Victorian London who is the unfortunate apprentice to Albert Garrick, a dark, twisted, illusionist assassin, and Chevron Savano, a seventeen-year-old native american FBI agent. The two meet when Riley's intended first kill turns out to be a time-traveling scientist who developed wormhole travel for the FBI's Witness Anonymous Relocation Program (WARP) who pulls him through the wormhole on his return trip to modern day London. Unfortunately for the two youngsters, Albert Garrick manages to make his way through to the future and is after his wayward apprentice to either collect him or kill him.

This book is DEFINITELY made for a slightly older reader than Colfer's Artemis Fowl series - there is a lot more blood and gore and swearing in this book than in the Artemis Fowl series, but the same intelligent, sarcastic humor is there throughout the novel. This book definitely is for a more advanced reader as well, the syntax and vocab is definitely at a higher level than perhaps the low end of the interest level.

Five Defects

1. This book is always going to be compared to the Artemis Fowl series and I think that comparison is a little unfair. It's a little more sci fi and a little less magic. The two should be viewed separately, but it's hard to do so.

2. The gross-ness of some of the descriptions of blood and gore and Victorian London's ghettos are a little much sometimes. They aren't too much for me (I like Mary Roach's books, for goodness sake), but they might be a little much for some readers.

3. Albert Garrick feels a little schizophrenic sometimes. I love the complexity of the villain in this story, but the complexity sometimes is too much.

4. The cliff hanger at the end and the next book isn't out yet! AHHH! I hate this and yet I do it all the time - reading the first book without another book to follow it.

5. The denouement was a little to short for my tastes - the villain was destroyed quite triumphantly and Colfer offered us only a part chapter and an epilogue to deal with it. I wanted a little more end.

Five Delights

1. The humor! It's dark, it's sarcastic, and it's sometimes punny. It's also very intelligent humor. It's just lovely all around.

2. The development of characters, both his protagonists and his antagonists (perhaps even more so his antagonist in this particular novel). Colfer always crafts well-rounded, well-described characters and he has a wonderful way of working description into the story. I'm in love.

3. NON-STOP ACTION. No, really. There is so much action in among the brain work. I love it. Such a "boy" book in that way (granted, I'm a girl and prefer that kind of book).

4. This is a book of street smarts and quick thinking, not so much straight up intelligence. I love that none of the main characters are geniuses but are living successfully in the world of geniuses. Fantastic stuff, that.

5. This is going to be a series! I'm so excited to see where this series goes - are we going to follow Riley? Chevron? Where is this going to go!?! I can't wait.

Fic Bra (Reviewing "A Great and Terrible Beauty")

I just finished reading Libba Bray's novel "A Great and Terrible Beauty" and I do have to say that it was a difficult read to the finish. While the writing of the novel was solid, this book was a filled with too much teenage female angst for me to really appreciate it.

Set in the Victorian era, the novel is told through the first person view point of Gemma Doyle, a sixteen-year-old Brit living with her family in British occupied India. On the morning of her sixteenth birthday, tragedy strikes Gemma's family and her mother is murdered, but under the most peculiar set of circumstances; Gemma has a supernatural vision of her mother's murder before it happens. After her mother's death, the family returns to England, where Gemma is sent to Spence Academy, a finishing school for girls. Here, Gemma's powers continue to develop and she begins to learn about her mother and her connection to a shadowy group of magic users called the Order. Part fantasy, part horror, part historical fiction, the novel is strongly written and the girls of Spence Academy well developed characters.

My main trouble with his novel is that it has a LOT (I mean A LOT) of teenage female angst - the struggle to fit in, the cattiness of girls, the embarrassment, etc. I felt that a lot of the angst was over wrought and I struggled to make it through chapters that weren't a part of the magic story line. After two action packed novels, this book seemed to move too slowly for me and included too much of the quotidian of British boarding school girls. I will NOT be reading the rest of the series, but I WOULD definitely recommended them to a teenage reader. The book is solid, just not my cup of tea.

Five Defects

1. No, seriously. The angst! Maybe I'm just too old for this book, but the angst felt spectacularly overwrought. <-- Facebook discussion with my fellow librarians leads me to believe that my statement about my age might be true.
2. The magic use felt so underplayed. I wanted something that felt more dangerous or had bigger consequences throughout the novel.
3. What kind of ending was that? I'm not sure I liked the denouement and conclusion of this novel. 
4. Am I missing something about this book that makes it fantastic? I've read the reviews and they seem to be completely positive without any issues besides the cover of the book being a little too girly for boys. 
5. It took far too long for anything interesting to really happen. I felt like the entire beginning of the book was exposition and that the climax didn't happen until much farther along in the novel - somewhere in the last 100 pages or so.

Five Delights

1. The writing is solid. The prose isn't too soppy and character development, setting description, etc. are all done with an obviously skilled hand.
2. The last 100 pages or so of this novel are great. The action picks up and I'm far more involved in what is happening.
3. I love the descriptions of British occupied India that exist in the beginning of this story.
4. Gemma has quite a few marvelous one-liners that zing wonderfully.
5. The book keeps you guessing - I do have that to thank.

Fic Rig (Reviewing "Miss Peregrine's Home for Peculiar Children")

Started and finished in a handful of hours this afternoon/evening, "Miss Peregrine's Home for Peculiar Children" by Ransom Riggs was a particularly pleasant read.

In this novel, the gruesome death of sixteen-year-old Jacob's grandfather sends Jacob on a journey to a remote island off the Welsh coast, where he discovers that the stories his grandfather told him of his childhood are more than the mere fairy tales that Jacob had thought them to be. Using a strange and bizarre collection of vintage photographs from the personal archives of collectors, Riggs tells an spell-binding, haunting story using first-person narration, allowing reader's to unravel the mystery of Miss Peregrine and what makes her charges so peculiar alongside Jacob. Riggs blends together elements of time travel, mutant powers, and the quick action and plot twists of a thriller to create a truly delightful novel that will keep readers on the edge of their seats.

Five Defects (extremely nitpicky)

1. I wanted MORE description in some places, but this is probably because I like flowery writing and Riggs doesn't use excessively floral language or sentence structure.
2. The photos, while connected strongly throughout most of the book, sometimes seem superfluous.
3. With so many kids in Miss Peregrine's Home, I wanted more background for some of the kids beyond a statement of their powers.
4. Why do Jacob's parents exist? They play very narrow roles in the novel and seem very flat. Mom barely exists at all. And what was the point of making him the future heir of the Smart Aid empire? Some parts of the back story for Jacob aren't really important at all.
5. WHY IS THERE NOT ANOTHER BOOK, YET!?! Correction - there is another book! Why do I not have it yet!?

Five Delights

1. I love the X-Men/superpower feeling of this book without actually making it a superhero novel. It feels fairy tale like, but definitely has a "superpowers" vibe.
2. The novel keeps you guessing enough that even I didn't completely figure out who the bad guy was going to be!
3. The most gentle, non-obtrusive magical time travel ever! Cleverly hidden worlds make me very pleased.
4. The photographs are creepy in just the right way to add to the story.
5. I love any novel that has some sort of historical setting. This meets both the needs of readers who want something modern and something historical. I want to know more about the other Homes for Peculiar Children mentioned in the book. I want to know what happens beyond this novel! So excited to read the next book!

Fic Cla (Reviewing "Clockwork Angel")

It has been a spectacularly long time since I've read anything but children's books, but getting ready for a teaching placement this fall at a local high school, I'm back in the world of reading YA literature.

My first novel as I dive back into the world of YA lit is "Clockwork Angel" by Cassandra Clare. The first book in Clare's "The Infernal Devices" series and prequel to her "Mortal Instruments" series, the book was a fantastic, beautifully sculpted read. This book threw together some of my favorite things in any novel: Victorian England, the supernatural, a tiny romance side plot (love triangle?), and a smattering of steam punk sensibilities.

I think the thing that pleasantly surprised me about Clare's novel was that even with a female protagonist, it was romance light and extremely action heavy (blood, guts, slaying, etc). Tessa Gray, our female protagonist, finds herself in dire peril (kidnapped, held prisoner, and "tortured") within the first few chapters of the novel, and the action doesn't let up after that. How could I possibly say no to a book that opens with the line "the demon exploded in a shower of ichor and guts"?

If you want a synopsis of the book, you can go read the summary and review provided by Amazon by clicking the link above. I don't want to go into the details here. There is far too much awesome in this book for me to even being writing a decent short summary. I'm just going to include my Bottom 5/Top 5 list below.

Five Defects

1. Sometimes the plot moved SO much, I felt a little disoriented if I wasn't close reading.
2. This book starts with a prologue. It really didn't need one... even though it did have an AWESOME opening line.
3. The character of Jessamine. I never did like a stuck up rich girl. I'm hoping there is more character development for this poor girl in future books.
4. How very many times Will's looks were mentioned in the book. I get it. He's pretty.
5. WHY DO YOU END LIKE THAT!? You answer none of my questions book!

Five Delights

1. Poetry and literature integration throughout the novel is fantastic. I love that Tessa, Will, and the other characters often quote poetry or prose that fits the moment. I also love that each chapter begins with pieces of poetry that are by and large taken from poetry the characters would have read and been familiar with.
2. I think it might be shaping up to be a Team Will or Team Jem decision. I don't know how I feel about this, but I know that I like it. Who's side are you on?
3. Beautiful, descriptive prose that doesn't get too flowery or long winded. I love that Clare is just as likely to write about the blood and battle as she is about Tessa's feelings and thoughts. I have no problems imagining this world in gritty, glorious detail.
4. A female protagonist who OBVIOUSLY changes in the book and learns how to make decisions for herself by the end. Yes, some of her decisions are based on "female propriety" and "pretty boys", but generally, I'm not annoyed by Tessa at all. She's hardly what I would call wishy-washy.
5. I cannot wait to read the next one! If all my questions are left unanswered by future books, though, I will probably start to hate this series... but the ending definitely makes me want to read the next book.